If any nerds wanna flex on me with glitch n datamosh knowledge I’m all for it hahaha, love. I’m wondering if by checking in the files something writes over the first few bytes or if there is a bit shift… it remains a mystery for now. BACK AT IT AGAINI don’t think it could get any simpler than this. $ lzip: : Bad magic number (file not in lzip format). They all start with “ N4Ig…” and when I try to decompress them: I learned this because I think there is something wonky with all the lzipped json examples. And I learned that every lzipped file starts with the “magic” bytes “ LZIP” (0x4C, 0x5A, 0x49, 0x50). In other news on the shared-dream front, I got the Leap Motion recorder working. For now, I got the above silly Proof Of Concept to work. Someday it will be a CLI to datamosh videos using ffmpeg. moshpyt has been rattling around in my brain and filesystem for a while. I did get a long time personal project kind of off the ground today. I probably won’t be satisfied until I’ve soldered all the circuits on the computer that runs AfterEffects that makes the pretty images.īut if I’m honest, even then, probably not. Or even write the code that makes the AfterEffects. It’s not enough to just make pretty images in AfterEffects, I have to write the code that makes the pretty images. I think a lot of why I code what I do has to do with going deeper into the stack. As an engineer with an art background, I very much understand the need for accessibility in art, especially art forms generated with code. The awesome Rachel Uwa at the School of Machines, Making & Make Believe (where RC pop up Berlin is HAPPENING) has been encouraging us to incorporate personal meaning into our work here. This quote is resonating with me right now. “If you are an artist and you are honest, you are never good enough.” You can skip to after the gif for regularly scheduled programming. This blog is usually fairly technical (and hilarious, right… RIGHT!?) but the next bit is a little touchy feely.
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